Aubrey Walker III

A brief look into the passion and the power of this spectacle of combat that is professional wrestling.

Stanley moves to Quito, Ecuador to house-sit for a friend, having big plans to start anew and explore the city, but discovers in the house a mesmerizing picture of the Virgin Mary bearing the face of Hollywood actor Nicolas Cage that becomes his obsession.

When I Was Four reenacts a distant childhood memory of the first night in a new home, and relates it to an adolescent experience, in hope to uncover what truth the memory holds, if any.

The evening is intimate and magical. A couple shares a special date.

In Silhouette of a Storm-Bent Tree, saxophonist and multimedia artist Nick Zoulek fuses all of his creative endeavors, serving as performer (bass saxophone), composer, producer, director, cine- matographer, and engineer, in order to fulfill his artistic vision. Silhouette of a Storm-Bent Tree begins broken and torn, seek- ing redemption. The piece derives its title from the quote, “why is it that the silhouette of a storm-bent leafless tree against an evening sky in winter is perceived as beau

1875, Indian Territory. Bass Reeves, is the first African-American to be deputized by the U.S. Marshal service. His wife, Nellie Jennie Reeves, tries to persuade Bass not to leave for his own safety, but Bass argues that it’s the best job he can get to keep a roof over his family’s head. When Bass charges into the desert, he engages in a shootout with two outlaws, Maha and Glen Huddleston, also African-American. Bass kills Maha in the gunfight, and arrests Glen, ordering him to carry Maha’s bo